Jul/29/14
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doodleigh:

wall-flawer:

This is the cutest thing I’ve seen ever

He totally thought wednesday could lift him i’m dead



Jul/26/14
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quiet-desperati0n:

I am a feminist because
I don’t think this video could be much more relevant.



Jul/26/14
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Jul/21/14
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mughalshit:

Central Entrance to Sikandra
Photograph by W. Caney
India (Agra), British Raj, 1880

This photograph shows the southern gateway to the tomb complex of the Mughal emperor Akbar (r. 1556-1605) at Sikandra outside Agra inside the garden complex. It was taken by W. Caney in the 1880s for the Archaeological Survey of India. The gateway comprises the high central arched entrance or ‘pishtaq’ shown here flanked by smaller arches on two storeys. It is faced in red sandstone with white marble on the minarets above. The red sandstone surfaces are decorated with both inlaid and tessellated coloured marble mosaics of floral arabesques and geometric panels. Although the gateway is largely Persian in style, the four square domed kiosks on the roof are derived from local architectural traditions. This combination of architectural styles mirrors that of the mausoleum contained within the complex, which is a unique fusion of traditionally Hindu and imported Islamic forms. This catholic approach to architectural style is often cited as an indication of Akbar’s own tolerant views and interest in a wide range of religious philosophies.

mughalshit:

Central Entrance to Sikandra

Photograph by W. Caney

India (Agra), British Raj, 1880

This photograph shows the southern gateway to the tomb complex of the Mughal emperor Akbar (r. 1556-1605) at Sikandra outside Agra inside the garden complex. It was taken by W. Caney in the 1880s for the Archaeological Survey of India. The gateway comprises the high central arched entrance or ‘pishtaq’ shown here flanked by smaller arches on two storeys. It is faced in red sandstone with white marble on the minarets above. The red sandstone surfaces are decorated with both inlaid and tessellated coloured marble mosaics of floral arabesques and geometric panels. Although the gateway is largely Persian in style, the four square domed kiosks on the roof are derived from local architectural traditions. This combination of architectural styles mirrors that of the mausoleum contained within the complex, which is a unique fusion of traditionally Hindu and imported Islamic forms. This catholic approach to architectural style is often cited as an indication of Akbar’s own tolerant views and interest in a wide range of religious philosophies.



Jul/21/14
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Jul/21/14
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nubbsgalore:

fireflies in timelapse, photos by (click pic) vincent bradytakehito miyataketsuneaki hiramatsu and spencer black



Jul/16/14
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Jul/16/14
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Jul/14/14
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darealanime:

by:  こっこ


Jul/14/14
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"Why do you cry?"

"Am I… Am I allowed to be so happy?"



Jun/29/14
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